shower with love
through the looking glass: beautiful brooklyn baby shower
through the looking glass: beautiful brooklyn baby shower
With her eyeliner winged and her inky raven hair pulled back into a ponytail, Gina punched out the opening notes of “Back To Black.” I was anxious to hear if Royale had the voice or grit to cover the legendary Amy Winehouse. She opened her mouth and unhurriedly sang the song to absolute perfection. I put down my tea and tuned in.
Many of us in the dawn of our thirties are still proud to call Andrew McMahon our Garage Band King. Fourteen years ago when Something Corporate hit the scene McMahon belted the words, which echoed in the anxious hearts of skinny jean wearing “Babies of the ’80s” who “just didn’t fit in.” In turn, we poured into smoky venues, faces smeared with eyeliner and expectation that for a few hours we “could feel complete.”
And then one day, about two months after we exchanged vows, we had a huge, knock down, drag out, no holds barred blowout. It was the worst fight we ever had and it was in front of my best friend, Danielle.
after spending four years as a team of two, my mister and i are finally expanding our roster. we are thrilled to announce we are expecting!
…puppy!
before i even pulled out of my parking spot i texted anthony to let him know what a wonderful time i had. one second later his response popped onto my screen. there were no games. there was no playing it cool. we were both smitten kittens.
It is near impossible to assign the music of Citizen Cope to a specific genre. An eclectic mix of rock, blues, hip-hop, and folk influences fuse together to form a totally unique, soulful sound. With six albums under his belt and the Rainwater Recording record label to his name, Citizen Cope has victoriously created an entirely new genre of music.
The Wellmont Theater air felt electric with post-Christmas buzz. The crowd of 30-somethings was excited to share a drink with friends and dance the night away as O.A.R. dominated the stage of the Montclair, NJ venue.
The band ripped the brilliantly reverent “Mercy” as the crowd fell silent. “Earthquake Driver,” “Elvis Went To Hollywood,” and “Cover Up the Sun” each showcased the well-oiled, self-proclaimed touring machine that is Counting Crows. “God of Ocean Tides,” the first song written for the new album, resembled traditional Counting Crows with a raw and hauntingly beautiful twist.
my magical trip to maui feels like a lifetime ago.