the sweetest beat
i have been front and center for a shit ton of epic live performances by some of my favorite artists. my mister and i collect vinyl and spend countless hours hunting for treasure among stacks of wax where ever we travel.
i have been front and center for a shit ton of epic live performances by some of my favorite artists. my mister and i collect vinyl and spend countless hours hunting for treasure among stacks of wax where ever we travel.
BROOKLYN, NY – Like anyone who hears even a single Florence And The Machine song, I possessed a deep appreciation for the artist and her band. That being said, nothing could have possibly prepared me for the pure, unfiltered magic I experienced inside the Barclays Center on a blistering night this June.
Folk rock band The Lumineers exploded onto the scene in 2012 with a refreshing alternative to the chart dominating electronic music of the time and quickly built up an enormous following. Since then fans have been ravenous for a follow up to The Lumineers’ wildly successful, self-titled debut album.
With her eyeliner winged and her inky raven hair pulled back into a ponytail, Gina punched out the opening notes of “Back To Black.” I was anxious to hear if Royale had the voice or grit to cover the legendary Amy Winehouse. She opened her mouth and unhurriedly sang the song to absolute perfection. I put down my tea and tuned in.
Many of us in the dawn of our thirties are still proud to call Andrew McMahon our Garage Band King. Fourteen years ago when Something Corporate hit the scene McMahon belted the words, which echoed in the anxious hearts of skinny jean wearing “Babies of the ’80s” who “just didn’t fit in.” In turn, we poured into smoky venues, faces smeared with eyeliner and expectation that for a few hours we “could feel complete.”
It is near impossible to assign the music of Citizen Cope to a specific genre. An eclectic mix of rock, blues, hip-hop, and folk influences fuse together to form a totally unique, soulful sound. With six albums under his belt and the Rainwater Recording record label to his name, Citizen Cope has victoriously created an entirely new genre of music.
The Wellmont Theater air felt electric with post-Christmas buzz. The crowd of 30-somethings was excited to share a drink with friends and dance the night away as O.A.R. dominated the stage of the Montclair, NJ venue.
The band ripped the brilliantly reverent “Mercy” as the crowd fell silent. “Earthquake Driver,” “Elvis Went To Hollywood,” and “Cover Up the Sun” each showcased the well-oiled, self-proclaimed touring machine that is Counting Crows. “God of Ocean Tides,” the first song written for the new album, resembled traditional Counting Crows with a raw and hauntingly beautiful twist.
i kicked off the new year by scoring some old vinyl. after reading ‘shout it out loud – the story of KISS’s destroyer and the making of an american icon’ by my friend and author james campion i could not wait to get my hands on a vintage destroyer album.
His cargo pants, faded black turtleneck, and John Lennon style spectacles were topped with a plume of fluffy chestnut hair.